
According to historian Barbara Hanawalt, "It is safe to assume that the ballads were recited frequently in villages, towns, and castles of late medieval England," and they were enjoyed across the social spectrum by nobility, gentry, and villagers alike (154). [...]Bennet Brockman has argued that children's literature got a bad reputation with academics because of its association with medieval romances, including Robin Hood stories.) Versions of the Robin Hood ballads produced specifically for children appear in the early 1800's, and in 1840 children's novels about the outlaw are first published in England: Joseph Cundall's Robin Hood and his Merry Foresters and Pierce Egan's Robin Hood and Little John, on which Alexander Dumas based his novels Le Prince des Voleurs and Robin Hood Le Proscrit (Dobson and Taylor 59-60; 317). [...]it seems appropriate for a novelist retelling a Robin Hood tale to use a fantasy setting that draws on the Middle Ages rather than a strictly historical setting. [...]they seem to sacrifice little to achieve freedom; were this a realistic historical novel, the life of hardship they choose would be far more apparent.