Romanticism reconsidered: the concept of humanity in Romantic literature

the Romantics' locating poetry in nature and human imagination contradicted formalistic constructional principles. Some of the most characteristic critical readings of Romanticism come from the critics who stress the ontological aspect of poetic imagination and language. [...]in several of his essays and books, Abrams emphasized the ability of Romantic art to synthesise the subject and object, mind and nature, and, based on Coleridge's (2001:676) theory of primary and secondary imagination - with primary being "a repetition in the finite mind of the eternal act of creation in the infinite I AM" and the secondary, the poetic imagination, partaking of the primary one - saw poetic creation almost as a part of divine creation. [...]most of it was made possible by theoretical justification exercised through the deconstructive anti- conceptual and relativistic linguistic terminology. For the first time, he visited it in 1793 as part of the originally planned visit of the west of England and Wales, which he had intended to carry out with his former school-friend William Calvert. Because of an accident with a horse, Wordsworth finally made the journey alone.

Loại tài liệu:

Article - Bài báo

Tác giả:

Pokrivcák, Anton

Đề mục:

Literary criticism

Nhà xuất bản:

West University of Timisoara, Faculty of Letters, History and Theology

Ngày xuất bản:

2015

Số trang/ tờ:

Định dạng:

pdf

Nguồn gốc:

British and American Studies; Timisoara, Volume 21, 2015, Pages 7-16,231

Liên kết:

ISSN 1224-3086

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Romanticism reconsidered: the concept of humanity in Romantic literature

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