The article analyzes how J. M. Coetzee’s Disgrace employs “perversity” as a narrative principle. The author argues that abnormality — in desire, power, and violence — is not a mere incidental detail but constitutes a deep structural element of the text. Rather than treating “perversity” as an isolated moral flaw, the article sees it as a driving force that allows the text to reflect the chaotic, violent, and conflicted reality of post-apartheid South Africa.
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