This article collects critical reflections on the role of ideology in interpreting William Faulkner’s works. It argues that exploring ideological perspectives enriches understanding of Faulkner’s fiction by revealing how social, historical, and political forces shape narrative and meaning. The essays included examine topics such as autonomy and form in As I Lay Dying, social dislocation in Faulkner’s South, and identity construction in his late novels. The issue emphasizes that ideological analysis—despite past resistance in Faulkner studies—offers deeper insight into Faulkner’s complex literary artistry and cultural significance.