This article analyzes William Faulkner’s novel Pylon through a postmodern lens, arguing that the book constructs a “narrative of disease” that plays with authenticity and imitation in a way typical of postmodern literature. Faulkner’s narrative technique, especially his use of fragmented perspective and self-reflexive storytelling, highlights how the fake or artificial in the novel becomes a central aesthetic strategy — a way of representing the characters’ emotional and social instability. The essay explores how Pylon uses this sense of “fakeness” not only as a stylistic feature but also as part of the broader thematic structure, suggesting that the fake can reveal deeper truths about human experience and cultural dynamics.
THƯ VIỆN TRƯỜNG ĐẠI HỌC KHOA HỌC, ĐẠI HỌC HUẾhidden
Địa chỉ: 77 Nguyễn Huệ, Phường Thuận Hoá, Thành phố Huếhidden