This article analyzes William Faulkner’s novel Pylon through a postmodern lens, arguing that the book constructs a “narrative of disease” that plays with authenticity and imitation in a way typical of postmodern literature. Faulkner’s narrative technique, especially his use of fragmented perspective and self-reflexive storytelling, highlights how the fake or artificial in the novel becomes a central aesthetic strategy — a way of representing the characters’ emotional and social instability. The essay explores how Pylon uses this sense of “fakeness” not only as a stylistic feature but also as part of the broader thematic structure, suggesting that the fake can reveal deeper truths about human experience and cultural dynamics.