Theme and Variation: Milan Kundera, Denis Diderot, and the Art of the Novel

(Le Rideau 204) The basic melody stayed the same, immemorial, but the counterpoint voice was a new thing that gave access to other new things - to counterpoint with three, four, six voices, to polyphonic forms ever more complex and unexpected. Because they were no longer imitating what was done before, composers lost anonymity, and their names lit up like lanterns making a path toward a distant realm.

Loại tài liệu:

Article

Tác giả:

Pierce, Gillian B.

Đề mục:

Novels

Nhà xuất bản:

The University of North Carolina Press, Chapel Hill United States

Ngày xuất bản:

May 2009

Số trang/ tờ:

pdf

Nguồn gốc:

The Comparatist, volume 33, May 2009, pages 132-155

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Theme and Variation: Milan Kundera, Denis Diderot, and the Art of the Novel

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