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<!--  Faulkner and Water Imagery in &quot;Barton Fink&quot; ( 23 ) -->
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<mods:genre authority="sobekcm">23</mods:genre>
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<mods:namePart>Yarbrough, Scott </mods:namePart>
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<mods:note>&lt;p data-start=&quot;881&quot; data-end=&quot;1103&quot;&gt;The article &lt;strong data-start=&quot;893&quot; data-end=&quot;942&quot;&gt;“&lt;/strong&gt;&lt;span data-start=&quot;893&quot; data-end=&quot;942&quot;&gt;Faulkner and Water Imagery in &lt;em data-start=&quot;926&quot; data-end=&quot;939&quot; style=&quot;&quot;&gt;Barton Fink&lt;/em&gt;&lt;b&gt;”&lt;/b&gt;&lt;/span&gt; examines how the film &lt;span class=&quot;hover:entity-accent entity-underline inline cursor-pointer align-baseline&quot;&gt;Barton Fink&lt;/span&gt; uses water imagery and connects it to the literary style of &lt;span class=&quot;hover:entity-accent entity-underline inline cursor-pointer align-baseline&quot;&gt;William Faulkner&lt;/span&gt;. It argues that water symbolizes decay, creative blockage, and the psychological instability of the protagonist, Barton. Elements such as sweat, the sea, and watery sounds echo Faulkner’s use of natural imagery to reflect inner states and social decline. The article also interprets the writer character as a reflection—or satire—of Faulkner himself, who once worked in Hollywood. Overall, the film raises questions about art, creativity, and the pressures of the film industry.&lt;/p&gt;</mods:note>
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<mods:dateIssued>Fall 2000/2001</mods:dateIssued>
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<mods:title>Faulkner and Water Imagery in &quot;Barton Fink&quot;</mods:title>
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