The article compares Death Comes for the Archbishop by Willa Cather and The Sound and the Fury by William Faulkner, highlighting their contrasting approaches to narrative form, time, and spiritual meaning. It argues that Cather’s novel presents a more linear, episodic, and contemplative structure, emphasizing order, faith, and continuity in the American Southwest. In contrast, Faulkner’s work is fragmented, nonlinear, and psychologically intense, portraying disintegration, moral crisis, and the collapse of traditional Southern values. The study also explores how both authors engage with religion: Cather depicts Catholic faith as a stabilizing and constructive force, while Faulkner presents a more troubled and ambiguous vision of morality and redemption. Ultimately, the article shows that although both works are modernist, they represent two divergent paths: one toward harmony and spiritual coherence, and the other toward fragmentation and existential crisis.
THƯ VIỆN TRƯỜNG ĐẠI HỌC KHOA HỌC, ĐẠI HỌC HUẾhidden
Địa chỉ: 77 Nguyễn Huệ, Phường Thuận Hoá, Thành phố Huếhidden