The Incommensurability of the "Transnational" in Queer African Studies

A renewed conception of Africa as "people" foregrounded in the works of writers, artists, and critics has fostered kaleidoscopic views of Africa. [...]diasporic articulations of Africa have been propounded by critics who challenge the notion of race as seen mainly through the prism of the transatlantic slave trade (Arondekar and Patel 2016, 157; Macharia 2016, 184–85). [...]woman-woman marriages declined in frequency. According to Amadiume, "lesbian" subjectivities would not have resonated culturally with African female husbands and wives who participated in woman-woman marriages. According to Kevin Moore, who curated the Muholi exhibit in Cincinnati: The Freedom Center is not the most ideal place to show art photography but, in the case of Zanele, whose work is equal parts art and activism, the context made perfect sense.

Loại tài liệu:

Article - Bài báo

Tác giả:

Currier, Ashley

Đề mục:

Literature

Nhà xuất bản:

Johns Hopkins University Press and West Chester University

Ngày xuất bản:

Fall 2018

Số trang/ tờ:

Định dạng:

pdf

Định danh tư liệu:

https://doi.org/10.1353/lit.2018.0035

Nguồn gốc:

College Literature; West Chester Vol. 45, Iss. 4, (Fall 2018): 613-622

Liên kết:

ISSN 0093-3139

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The Incommensurability of the "Transnational" in Queer African Studies

Trung tâm Thông tin và Thư viện Trường Đại học Khoa học, Đại học Huế